簡(jiǎn)介：　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

簡(jiǎn)介：　　電影由漢中何振基創(chuàng)作的長(zhǎng)篇小說《母親河》改編而成，以小見大，通過“母親河”漢江邊上陽壩村里的幾個(gè)年輕人的生活情感、迷惘挫折、成長(zhǎng)的歷程，展現(xiàn)了陜南人民在面對(duì)困難、貧窮時(shí)，在美麗鄉(xiāng)村發(fā)展建設(shè)奔向富裕的過程中，改造自然并與自然環(huán)境和諧共生，進(jìn)行可持續(xù)發(fā)展的艱苦卓絕的奮斗。

簡(jiǎn)介：　　對(duì)于21歲的加奈來說，考慮自己的未來一點(diǎn)意思也沒有：她不知道自己想要什么樣的生活，對(duì)任何事都缺乏熱情，甚至戀愛也只是為了消磨時(shí)間。與她同居的男友本田試圖通過負(fù)擔(dān)房租和為她做飯來取悅加奈，但這段戀情還是變得搖搖欲墜——加奈認(rèn)識(shí)了一位名叫林的創(chuàng)作者，隨著兩人關(guān)系的加深，她開始覺得本田是個(gè)負(fù)擔(dān)……

簡(jiǎn)介：　　財(cái)神駐人間辦事處面臨裁員危機(jī)！處長(zhǎng)王嘉誠臨危受命，只要找到遺失已久的上古奇石就能保住飯碗。就這樣，王嘉誠帶領(lǐng)五路財(cái)官踏上了人間尋寶之旅，本以為可以各顯神通，手拿把掐，不料一路上卻雞飛狗跳囧事頻出。

簡(jiǎn)介：　　神偷勞拉面臨職業(yè)生涯最后的挑戰(zhàn)，然而在這一場(chǎng)危險(xiǎn)的 “貓鼠游戲 ”里，她遇到了讓她激情難抑的女警察瑪克辛。（華堅(jiān)馮力士）

簡(jiǎn)介：　　夏日時(shí)光。一個(gè)三口之家，單身父親巴比斯和他即將成年的雙胞胎孩子康斯坦丁諾斯和艾爾莎，乘坐家庭小船前往波羅斯島度假。在游泳、日光浴和結(jié)交新朋友的過程中，康斯坦丁諾斯和艾爾莎無意中遇到了他們的生母安娜，她在他們還是嬰兒時(shí)就拋棄了他們。這次相遇將激起巴比斯心中長(zhǎng)久以來的怨恨，為每個(gè)人帶來一段苦樂參半的成長(zhǎng)之旅。